11 December 2012

DIY Christmas and Body Scrub Recipe


Making Christmas gifts: the aftermath
The picture above illustrates the chaos that is my kitchen table. We're supposed to send off the gifts for the in-laws this evening with J's sister, who is spending Christmas with them, and in my usual fashion, I had procrastinated. Partly this is because they can be difficult to buy for: they already have everything they need and most of what they want, and J. and I don't have lots of money. While I'm sure my father-in-law would be thrilled with a newer, fancier telescope (he's an amateur astronomer, among other things), we simply can't afford one. Same with his mum and her harp-playing. I could have tracked down some harp music, but there aren't any really good music shops in our town, so I'd probably have to go on an adventure in downtown Vancouver, and I haven't been in the mood for that sort of thing lately. It's a 2-3 hour bus and Skytrain rain, depending on the destination, and it is cold and wet outdoors (I'm not a wuss, I just don't want pneumonia this winter).

Anyway, searching for Christmas gift ideas led me, as usual, to making things. It's more interesting, and honestly, less stressful than running around the mall. And it can be more affordable. In this case, yes (although since I had to buy ingredients to make face cream and lip balm, I spent a little more than planned, but now I have supplies to choose from for making lotions and lip balms). As you can see from the above picture, I made a lot of lip balm. Lip balm for everyone!

I'd show off pictures of some of the completed things I made, but I already wrapped them (they don't read this blog, to my knowledge, so there'd be no problem with surprises). I made a table runner, turned a piece of an inkle band into a bookmark, made a couple of hair ornaments (ribbon work is way harder than it looks, btw), and then the lip balm and face cream, which will become gifts for more than just my mum-in-law and sisters-in-law. My mum gets some, and so do my cousins and grandmother (probably). This was mostly in the last couple of days, and I even managed to fit in a very long walk around town to get ingredients that has, for some reason, left me hobbling around the apartment like I have arthritis. I'm probably too young for that, since I'm not even thirty yet (and no, I don't have juvenile arthritis or early-onset arthritis or whatever it's called), so I think it's just a pulled muscle somewhere in my thigh that makes it feel like my hip is 80, even though the rest of me isn't. I'm blaming it on the long walk in the cold and wet. There was lots of rain, and it's been hovering around 5 C this week, which isn't so bad. Unless you're soaking wet.

The DIY Christmas gifts haven't stopped there: I have a ukulele strap planned, as well as a couple other random things. We'll see where it goes. I think I prefer this version of Christmas craziness to the rummaging through the bookstore trying to find something that the recipient will enjoy and not be offended by.

Last week I experimented a little with making a sugar scrub, with the thought of making more, also as gifts. I quickly learnt that I prefer salt scrubs. They're less sticky, and made on the same principles.
Brown sugar scrub
This is a vanilla and brown sugar scrub. It works, but I recommend using it in the shower, rather than in the bath, like I did.

Vanilla Brown Sugar Body Scrub
2 cups brown sugar (I used dark brown sugar, but golden brown sugar would also work)
oil (I used olive this time, but would recommend almond or coconut--they're a little more moisturising and I prefer the scents of those to that of olive oil in a body product)
1 teaspoon vanilla extract

Scoop the brown sugar into a bowl. Drizzle some oil in and mix sugar and oil together with a spoon, adding oil until the scrub reaches the desired consistency. Add the vanilla and mix well. Put in a jar with a decent seal. Use a body scrub, preferably in the shower, for easier clean-up.

You can alter the dimensions of the recipe pretty easily, since it's "add oil until you're happy with it" and then tossing in some vanilla extract. If you had vanilla essential oil or fragrance oil, you could use that and use less of it (if you use fragrance oil, make sure it's one that's okay to use topically).

05 December 2012

Vampires and the Ick Factor

We have Netflix, so I end up watching my way through shows on there. Earlier this year I watched Bones, Lie to Me, and then Numb3rs. Now it's the X-Files. I was too young to handle watching the show when it was on TV; I was one of those kids who was terrified of everything. And no one does creepy quite like the X-Files.

Early in season 2, there's a vampire episode. What with all the novels and television shows about vampirism, it's not exactly an unusual choice. However, the X-Files takes a different stab (pun not intended) at the vampire genre.

From Twilight to True Blood, vampires in popular culture are generally portrayed as erotic. The odd evil one pops up (the one wanting to kill and eat Bella in the first Twilight book, for example), but the hypnotically sexy portrayal is the one that usually dominates. It's intriguing that monsters who steal lives by draining people of blood, monsters who are dead themselves--dead but unable to truly die, stuck in some sort of half-life that compells them to stalk the living--are idolized. Immortal, but undead. Beautiful and unaging, yet condemned to exist without changing in a world where change is a constant factor. And this is what we claim to want.

My favourite works in the vampire genre tend to lean a certain direction. Sunshine, Buffy--they can interpret the vampiric as conflicted, as good mingled with evil--human, in a sense. But being a vampire, the taking of blood, is not sexy. It's not erotic. It's evil, and it's disgusting. Revolting. Vampires are to be destroyed when possible, because otherwise they will continue to kill. With or without remorse, they are still driven to kill, and being sentient, discerning beings, they can admit that murdering humans, the race from which they have sprung, is wrong. Yet they continue to kill, using a hunger for blood as an excuse (there's an argument for vegetarianism in here somewhere, I'm sure, but since I'm mostly definitely an omnivore, I'm not going there tonight).

The X-Files episode on vampires most definitely leans toward the revolting side of things. It captures the grossness of the vampire, the absolute wrongness of it. Personally, I think there's more to be said for that perspective. It's far more realistic. If I'm going to fantasize, I'd rather have a daydream that involved something healthier than a creepy vampire stalker boyfriend.

04 December 2012

a question posed

Steinel Glue Gun from Howard Electronic Instruments, Inc
Am I a proper crafter when I don't even own a hot glue gun?

24 November 2012

a single candle

Jar Candle
Tea lights and jar candle, made with soy wax
Candle flames are hypnotic. It's easy to sit and stare at the way the fire flickers, watching the heat and movement, following the colours of pale orange and red down to the tiniest trace of clear pure blue.

On dark afternoons, I sometimes light all the tea-lights in the varied holders I have, and let the flames provide warmth that the wall heater simply can't. 

The lights, the way they move, is peaceful, which has always seemed strange to me, given the damage that fire can cause. But beauty and danger have never been exclusive concepts. Nor has peace in the midst of chaos. My tendency to find some sort of beauty or peace out of something that is potentially harmful is not unique. Danger does not exclude beauty, nor does a sense of danger exclude some sort of peaceful transcendence.

With this in mind, I made candles out of soy wax yesterday evening. I read somewhere that paraffin candles release fumes into the air that we're better off not breathing. Since I breathe enough noxious fumes just walking down the street, I thought I'd minimize the ones in my home. Beeswax costs more, and it seemed better to figure out the technique with the less expensive option.

The pictures above include some of the first batch. I made a total of 25 tea lights and one larger candle. These are all unscented and undyed. The batches tomorrow will have scent and colour, and will be Christmas gifts. The basic process is easy enough. Heat, pour, let cool. The large candle managed to crack a bit in the centre, but it's in a jar, and the cracks will disappear as it burns. I'm not a perfectionist. Beauty that is less than perfect is, often, in my mind, even more beautiful.

21 November 2012

Book musings: The Origins of Sex

I've been working my way through The Origins of Sex, by Faramerz Dabhoiwala. The premise of the book is that the Reformation, followed by the Enlightenment, drastically changed the way people understood sexuality and that consequently, some of the principles we think of as crucial to human sexuality are in actuality, relatively new to our world. This book, of course, focuses on the development of Western views regarding sexuality, but it highlights points of commonality that the pre-Enlightenment understand of sexuality has in common with areas of the world that we Westerners find confusing today. Our base assumptions about personhood and sexuality are not the same as those of other people, and there are clear historical reasons for these changes.

It's been an interesting journey through the book, although it is awkward to read on the bus unless I'm hiding the title. Provocative book titles can be quite fun, though if I'm really into my reading, I hate getting interrupted by people wanting to know what on earth I'm reading (not that this happens often). Books are one of the devices which discourage social interaction. Knitting needles are not. (And I discovered that when a man wanted to tell me all about how his dog is like his child).

The earlier chapters discussed religious influence on sexuality and society. Something that doesn't get highlighted often is that pre-marital sex before the Reformation, when the Catholic Church's influence was at its height, wasn't that big a deal, particularly if the couple were engaged. The Reformers, reacting to the lax standards of the Church, disagreed. Then, changing moral attitudes from the Enlightenment slowly eroded those ideas. The double standard was always at work, too. Men were pretty much expected to have pre-marital sex, but not with "good" women, since that would contribute to the ruin of an innocent. It's rather narrow-minded of me, I'm sure, but I'm still of the opinion that if women have to remain chaste, men should, too.

Then there were the chapters on men vs. women and the assumptions made pre- and post-Enlightenment about how they responded to sex. The common view pre-Enlightenment was that women were insatiable, and even if a woman said no, she probably meant yes. Women were seductresses, and men were hapless in their hands. The view flipped after the Reformation and the Enlightenment, albeit slowly, creating the view that women were innocents and men were the ruthless seductors (given some of the citations in the book, I have to say this view had some definite merit, even though I'd rather not be a damsel-in-distress). There was a fascinating section on how this appeared in literature, particularly in the early novel.

The conclusion the book brought me to was that I'm rather profoundly grateful to live in the time I do, in the location that I do. Canada's far from perfect, and North American society has its own ways of damaging our perception of sex and the way we interact with each other, but at least I can challenge those assumptions without being too afraid of them. I'm a person, after all, not an object, and I'm happy to remind people of that.

14 November 2012

I haven't an inkling

 There are days when I really wonder why. Today was one of those. One of my best friends called me in crisis this evening, and I listened, we talked, and I think it helped, but I can do so little to help fix the situation, and ranting about it doesn't work. And it doesn't help that she's 5000 kilometres away, so mid-evening for me is almost bed-time for her.

While we talked, I wove, to keep my hands busy and my heart steady. The picture below shows the newest member of the fibre arts family at our home, an inkle loom which I've christened Miranda. The name seems appropriate, since (according to my favourite name website), it was created in the 1500s by Shakespeare, and the first recorded use of 'inkle' to describe narrow-woven tapes or bands dates from the 1500s. "Inkle" doesn't appear to be related to the word "inkling," from what documentation I can find from online etymology websites, but their similarity in sound is rather poetic.

Miranda, my inkle loom, warped, with a few inches woven
The loom itself may be a more recent innovation--I've found conflicting information stating that the inkle loom only dates from the 1930s, but another site had one purporting to be medieval. I don't particularly care, since I'm not in the SCA at this point, and this is a way to learn to weave that doesn't involve me tying things to a doorknob and tangling the threads up. I can do basic warp-face weaving on this, and I can use it for tablet weaving (again, skipping the tying it to a doorknob, although I may work up to creating a backstrap loom, using a strap woven on my inkle loom--I've yet to get my hands on a table loom, and these are more portable, after all). I'm learning the basics of using this before jumping up to tablet weaving, which is more complex, though very interesting.

I bought the loom on Craigslist, from a seller who was actually in my area, so I didn't have to spend a lot of time lugging the strange arrangement of boards and pegs on the bus. I did get questions, and I had fun introducing people to the concept of an inkle loom.

When I arrived home, I watched a video, read a few how-to's, and then warped my loom. I did the shortest warp that this loom does, using leftover dishcloth cotton for my warp, and crochet cotton for my heddles. Then I wound some more dishcloth cotton onto one of my flat bobbins (it didn't come with a shuttle) and started weaving.

My first two woven straps, made of dishcloth cotton. Number 1 on the left (brown warp yarn as weft), number 2 on the right (crochet cotton as weft).
I'm on strap number 3 at the moment--that's what's on the loom in the first picture. I'm using some leftover cotton-linen-silk blend yarn that has a beautiful mix of colours. I'm getting better as I go--each piece gets a little more even, although my selvedges are still messier than I'd prefer. Not sure if that's a warp or a weft problem. Or both.

At any rate, it's something to do with my hands that's rather different than the knitting. Which, of course, I'm still doing. There's the first of a pair of slippers sitting next to me on the table, and I was knitting on a sock whilst having tea with a friend this afternoon. The new thing for my making repertoire is exciting, even if all I can make right now are belts and ribbons.

And it helps when I feel useless. At least I can make something, and put well-wishes into the fabric as I create it.

08 November 2012

musings: music and introspection


I enjoy writing, but I frequently find myself not really knowing what to write here. And here I have this blog as a writing outlet.

There are plenty of strands I could pick up and follow, see where they go. One possibility today is music. I know, everyone writes about music. My musician brother could tell you all sorts of fascinating things about the topic, but I really only know the basics--I can read bass and treble clef, and I can play piano, violin, and mandolin with varying degrees of proficiency, never tipping over into truly good. I can sing, but when I'm out of practice, my alto range isn't exactly pleasant to listen to, and I tend to "sit on the bottom of the note," which is a creative way of saying I'm more likely to sing flat than sharp. In a musical family, I'm one of the dunces.

This used to bother me, but eventually I realized that my drive lies elsewhere. I'd rather spend eight hours a day working on language analysis than practicing the piano. Granted, a bit more practice on my mandolin would be a good idea. We even have a guitar I could try learning. Because really, I do love music. When phrase has just the right resonance (and no, I don't know how to describe it in musical terms), it's amazing. There's nothing like it.

I've been listening to music more frequently than usual (remembering a thought I had last year--music soothes the savage Anna). Sometimes I can't listen to music because it's too much stimulation. Reading and/or writing while I'm listening to music can be too many things at once and I end up switching the music off and the lack of sound results in a visceral sense of relief, the same feeling I have when the dishwasher finishes its cycle.

I grew up in a household of noise: A busy street, a beagle who bayed whenever someone walked by, three younger brothers, a piano and a drum set in the living room. Noise was normal. I got quite good at tuning it out while reading, to the point that if I'm absorbed in something today, it takes a shout or even a touch on the shoulder to bring me out of it.

As an adult, my tendencies towards silence reflect the quiet girl who occasionally holed up in her closet with a lamp and book. I can spend an entire day without really talking to anyone, without listening to music, without making much noise other than the clack of my fingers on the keyboard. Right now, all I can really hear is the traffic outside, the humming of the fridge, and the keyboard. Oh, and my own breath. This I do enjoy, and appreciate.

However, one can spend too much time with one's own thoughts. Introspection, though important, has the potential to be dangerous, especially for someone like me, with depressive tendencies. Some music intensifies the darkness, while other types lift it. Guess which one I prefer?